A website devoted to one man's love of the movies and his inability to get paid for writing about them
 
 
What's new

1/24/12
New Blog Entry
One of Those Oscar Years


1/15/12
New Review of
The Iron Lady **


1/14/12
New Review of
Contraband ***1/2


1/9/12
New Review of
Tinker Tailor Soldier Spy ***


1/7/12
New Blog Entry
The Mission:  Impossible Rises Show-in IMAX!


1/2/12
New Blog Entry
Why The Help is the Inevitable Best Picture


12/31/11
New Feature Article:
The Best Movies of 2011

New Reviews of
The Darkest Hour ***
The Descendants ****


12/30/11
New Review of
Horrible Bosses ***1/2


12/29/11
New Reviews of
Killer Elite ***
Straw Dogs **1/2
Young Adult ****


12/28/11
New Review of
Warrior ****


12/27/11
New Reviews of
Mission:  Impossible-Ghost Protocol ****
Take Shelter ****


12/26/11
New Reviews of
My Week with Marilyn ***
Shark Night 3D ***


12/25/11
New Review of
Sherlock Holmes:  A Game of Shadows ****

Cream of the Crop
The Best Movie Currently in Wide Release


Mission:  Impossible-Ghost Protocol

"The Mission:  Impossible movie franchise was born at a uniquely strange time in the evolution of the modern blockbuster, when studios had begun to fully commit to raiding their vaults for remakes and adaptations of TV series but had not yet gotten a clue that it was the fans of those pre-existing properties that were their target audience.  As such, M:I, the popular late-60’s espionage series about a team of agents became a star vehicle for Tom Cruise who played a team of one in Brian DePalma’s diverting but forgettable flick that made sure no one confused the filmmakers with fans of the series by allowing original IMF leader Jim Phelps (then played by Jon Voigt) to die only after revealing he was a traitor.  But either way, money rolled in and a franchise without a direction or purpose was born.  Latching on to Hong Kong director John Woo’s success with Face/Off, he was hired to helm Mission:  Impossible 2, a laughable unintentional parody of his best work that again grossed money hand over fist but left Cruise and the Paramount suits knowing they still needed to find some kind of point and direction for his cypherous IMF hero Ethan Hunt.  Enter JJ Abrams, the TV mogul looking to make his feature directorial debut.  He and the team responsible for the cult TV series Alias finally licked the whole Mission:  Impossible thing with M:I3, which gave Hunt a wife, a life, friends, a workplace and, dare I say it, stakes.  Then something really nasty happened:  a series of PR missteps caused Cruise to fall out of favor with the public and it seemed that the underperforming sequel would be Hunt’s swan song.  But that’s the thing about franchises, they provide actors with a safe harbor during the valleys of their careers and under the producorial eye of Abrams, with many of the Alias team intact and Incredibles animation wiz Brad Bird making his live action directorial debut, the series finally hits a new high note five and a half years later with Mission:  Impossible-Ghost Protocol, which does everything the original M:I got wrong right, building a solid team in a slam-bang espionage thriller packed with amazing stunts.  Most of all, it really understands the human dynamic necessary to make an action blockbuster run.  Who cares if Ethan Hunt prevails if he’s an indestructible superman?  But if it takes everything he’s got to turn his amp to 11… well, THAT’S a movie hero, and Mission:  Impossible-Ghost Protocol is a globetrotting spy action flick of the highest order... Cruise dramatically upgraded his performance the last time out, but in Ghost Protocol, he’s really got Hunt licked:  in the grand tradition of Harrison Ford’s Indiana Jones, he’s got a bug-eyed “You’ve GOT to be kidding me!” reaction shot for each time he’s got to push it that much harder to get the job done.  And this mission pushed him about as far as any person could possibly go, trying to outrun exploding Kremlins and dust storms, dodging flying vehicles and enduring an absolutely insane climax at an Indian automotive dealership where all the cars are on hydraulic platforms that require him to leap impossible distances and seemingly get whacked in the jaw 35 times… and that’s before he comes up with a really novel way to jump 50 feet and survive.  The best stunt-based action movies know how to put their heroes through the wringer, but M:I4 may very well set a new standard."

 
The View From the Balcony: 
Lamar's Blog

1/24/12

One of Those Oscar Years
 


Yes, last year's Academy Awards broadcast was a debacle, as no one would dare question even if they were that lonely soul who found James Franco's Cigar Store Indian act to be the height of comic inspiration.  But the show is always secondary to me to the history it's writing, and the 2011 Oscars delivered the most on-the-money set of nominees and winners since that golden 1998 when the fearsome foursome of Titanic, As Good as it Gets, Good Will Hunting and LA Confidential dominated the proceedings.  As such, I was due for a down decade or so, and the 2012 nominations announced today certainly get that process rolling.  

As I've mentioned before, it's hard for me to get that interested in the proceedings pro or con because there's just so little here I've seen.  The Help, Moneyball, War Horse, The Tree of Life, The Artist... lots of stuff on my "Um, I guess if I have the time..." list.  I have to say I kinda object to the love showered on Moneyball, though.  I'm not unbiased, as the Oakland A's of that era routinely beat up on my beloved Texas Rangers and I've never been a fan of the real-life Billy Beane's self-promoting tendencies (I honestly think he's not only not a genius, but kinda an idiot, believing his own hype to the point where he trades the entire team almost every year because of that silly "You're either contending or rebuilding" mantra:  but I digress, this isn't a baseball blog).  But more to the point, everything I've read about the movie suggests it's a total fantasy, denying the fact that the A's of the time not only enjoyed the services of some of the league's most talented players, but also a great many All-Stars who would later be revealed to be among the leading offenders in the game's scanalous Steroid Era.  Instead, writers Steven Zaillian, Aaron Sorkin and Stan Chevin would have us believe those teams were akin to the one in Major League, comprised of journeymen Jonah Hill's mathmatical formulas figured out how to use.  Which also brings us to the notion that I'm to believe that not only has Hill given a Best Supporting Actor-worthy performance in a year when so many top talents were excluded from the category, but that he's done it as a geek with a mathmatical formula to win baseball games. 

Read more

Recent Blogs

1/7/12:  The Mission:  Impossible Rises Show-in IMAX!
1/2/12: Why The Help is the Inevitable Best Picture

Blog Archive

 
 
     
The Best Movies of 2011

12/31/11:  I don't know what's going on out there in the world at large, where ticket sales sank to their lowest point in over a decade and everyone was generally down on the movies, because from where I was sitting, this was a great, great movie year, with a deep bench of movies that pinged my geeky love of childhood icons, my brainy geeky obsession with mind-bending genre metaphors, my love of character studies that speak to the human condition and even my hopes for the wiz-bang possibilities of 3D (granted, not so many of those, but there were SOME).  I laughed, I cried (even a couple times with the 3D glasses on), I was pretty damned happy when an invading alien force got what it had coming to it, and most of all, I totally geeked out on an instant sci-fi classic that joins Stranger than Fiction, The Mist, The Dark Knight, Coraline and Scott Pilgrim vs. the World as the Palace's 6th annual Best Movie of the Year.  Drumroll please, for my Top 10 Movies of 2011:

      
 
 
Reviews of Movies Currently in Theaters
 
Beginners
***
Cave of Forgotten Dreams
***
Contraband
***1/2
The Darkest Hour
***
The Debt
***1/2
The Descendants
****
Dream House
**1/2
Fast Five
****
The Girl with the Dragon Tattoo
***1/2
Hop
***1/2
Hugo
****
The Ides of March
**
Immortals
***
In Time
****
The Iron Lady
**
J. Edgar
***1/2
The Lincoln Lawyer
***

Margin Call
****
Midnight in Paris
***1/2
Mission:  Impossible-Ghost Protocol
****
The Muppets
**
My Week with Marilyn
***
Our Idiot Brother
***1/2
Real Steel
***
Rise of the Planet of the Apes
***1/2
Sherlock Holmes:  A Game of Shadows
****
Take Shelter
****
The Thing (2011)
***1/2
30 Minutes or Less
***
The Three Musketeers (2011)
****
Tinker Tailor Soldier Spy
***
Tower Heist
***
Under the Sea 3D
***1/2
A Very Harold & Kumar 3D Christmas
***1/2
Warrior
****
We Bought a Zoo
****
Young Adult
****
Zookeeper
***1/2

 

Streaming Spotlight
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Browse all my reviews by title
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Alphabetical List of All Reviews on the Site
Ten Best Lists
2011
2010 2009
2008 2007 2006
More Feature Articles
Revivals:  Random Encounters with the Movies of the Past
Raiders of the Lost Ark
Toy Story/Toy Story 2
V for Vendetta
Blade Runner:  The Final Cut
The Theaters Project:  Essays About the Places Where I Saw All These Movies
United Artists Schuylkill Mall
AMC Hampden Center 8
Cinema Center of Palmyra
Sky-Vu Drive-In
 
Lamar Kukuk, in addition to fancying himself a film critic, dabbles at acting and screenwriting while not doing a day job that has absolutely nothing to do with the arts (booooo!)
 
Questions? Comments?  Death Threats?  I welcome them all (well, maybe I don't welcome the death threats...) at feedback@lamarsmoviepalace.com